Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Ôàóëç Äæ., Êîëëåêöèîíåð — 2022

Îí êîëëåêöèîíèðîâàë áàáî÷åê, ïîêà íå âûáðàë ñåáå æåðòâó êðóïíåå, íî òàêóþ æå áåççàùèòíóþ - Ìèðàíäó, ñòóäåíòêó õóäîæåñòâåííîãî ó÷èëèùà. Îí, îäèíîêèé ñëóæàùèé, ðàçáîãàòåâøèé ïîñëå âûèãðûøà íà ñêà÷êàõ, äàâíî ê íåé ïðèñìàòðèâàëñÿ, íå ðåøàÿñü ïîäîéòè è ïîçíàêîìèòüñÿ. Çíàêîìñòâî ïðîèçîéäåò óæå â ïîäâàëå äîìà ïîõèòèòåëÿ, ãäå îí áóäåò äåðæàòü Ìèðàíäó ïëåííèöåé, íî îáðàùàòüñÿ ñ íåé ïî-äæåíòëüìåíñêè. Èõ áóäóò çàíèìàòü îäíè è òå æå ïðîáëåìû, îäíè è òå æå òåìû, íî ìîæíî ëè çàñòàâèòü ïîíÿòü äðóãîãî ñèëîé? È òàê ëè ïðåêðàñíà è ÷èñòà îêàæåòñÿ íîâàÿ "áàáî÷êà"?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ôàóëç Ä., Ïÿòü ïîâåñòåé. [ñáîðíèê] — 2006

Ñáîðíèê ïîâåñòåé âûäàþùåãîñÿ àíãëèéñêîãî ïèñàòåëÿ Äæîíà Ôàóëçà.

Ñîäåðæàíèå: Áàøíÿ èç ÷åðíîãî äåðåâà ; Ýëèäþê ; Áåäíûé Êîêî ; Ýíèãìà ; Òó÷à

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé ëèòåðàòóðå ÕÕ âåêà — 1985

Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Fowles J., The Ebony Tower — 1980

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Fowles J., The Magus — 2004

Filled with shocks and chilling surprises, "The Magus" is a masterwork of contemporary literature. In it, a young Englishman, Nicholas Urfe, accepts a teaching position on a Greek island where his friendship with the owner of the islands most magnificent estate leads him into a nightmare. As reality and fantasy are deliberately confused by staged deaths, erotic encounters, and terrifying violence, Urfe becomes a desperate man fighting for his sanity and his life. A work rich with symbols, conundrums and labrinthine twists of event, "The Magus" is as thought-provoking as it is entertaining, a work that ranks with the best novels of modern times.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Fowles J., Daniel Martin — 2004

Set internationally and spanning three decades, Daniel Martin is, in the authors own words, intended as a defence and illustration of an unfashionable philosophy, humanism, and also as an exploration of what it is to be English. It is the richly evoked narrative of a contemporary Englishmans attempt to see himself and his time in the mirrors of his past and present.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Fowles J., A maggot — 1996

A novel that begins as a quirk or obsession (a `maggot` in the archaic sense of the word) which found its setting in the second wave of Protestant Dissent in England. It takes shape as a mystery - an investigation of unaccountable motives and deeds - which leads through beguiling paths to a starling vision at its centre.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Fowles J., The Magus — 2004

Filled with shocks and chilling surprises, "The Magus" is a masterwork of contemporary literature. In it, a young Englishman, Nicholas Urfe, accepts a teaching position on a Greek island where his friendship with the owner of the islands most magnificent estate leads him into a nightmare. As reality and fantasy are deliberately confused by staged deaths, erotic encounters, and terrifying violence, Urfe becomes a desperate man fighting for his sanity and his life. A work rich with symbols, conundrums and labrinthine twists of event, "The Magus" is as thought-provoking as it is entertaining, a work that ranks with the best novels of modern times.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Penguin Book of Modern British Short Stories — 2011

The short story has become one of the major forms of modern literary expression - in some ways the most modern of them all'. The story of the British short story since the Second World War is one of change and revolution and this powerful and moving collection brilliantly demonstrates the evolution of the form. Containing thirty-four of the most widely regarded postwar British writers, it features tales of love and crime, comedy and the supernatural, the traditional as well as the experimental. This many-storied, many-splendored collection is a brilliant portrait of the generation of writers who have immediately influenced the brightest, sharpest and most intriguing writers who continue to emerge today

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Fowles J., The Ebony Tower — 1975

"The Ebony Tower" is a series of novellas, rich in imagery, exploring the nature of art. The story of the title - which the "Observer" described as "the finest thing Fowles has written" - concerns a journalist visiting a celebrated but reclusive painter. He is intrigued by the complicated erotic relationship between the elderly painter and the beautiful young women who share their lives with him.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Fowles J., The French Lieutenants Woman — 1980

In a feat of seductive storytelling, John Fowles immerses us in the emotionally charged world of a Victorian love triangle and, through a startling act of literary invention, reveals the image of modern man reflected in the past. The French Lieutenant's Woman is perhaps the most beloved of Fowles's internationally bestselling novels; it is universally regarded as a modern classic.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Fowles J., The French Lieutenants Woman — 1982

The scene is the village of Lyme Regis on Dorset's Lyme Bay..."the largest bite from the underside of England's out-stretched southwestern leg." The major characters in the love-intrigue triangle are Charles Smithson, 32, a gentleman of independent means & vaguely scientific bent; his fiancée, Ernestina Freeman, a pretty heiress daughter of a wealthy & pompous dry goods merchant; & Sarah Woodruff, mysterious & fascinating...deserted after a brief affair with a French naval officer a short time before the story begins. Obsessed with an irresistible fascination for the enigmatic Sarah, Charles is hurtled by a moment of consummated lust to the brink of the existential void. Duty dictates that his engagement to Tina must be broken as he goes forth once again to seek the woman who has captured his Victorian soul & gentleman's heart.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Fowles J., The Ebony Tower.Eliduc.The Enigma — 1980

Äæîí Ôàóëç ïèøåò î íåðàñòîðæèìîé ñâÿçè æèçíè è èñêóññòâà ("Áàøíÿ èç ÷åðíîãî äåðåâà"), î ëþáâè, ïîáåäèâøåé ïðåäðàññóäêè âðåìåíè ("Ýëèäþê"), ñàòèðè÷åñêè ðèñóåò íðàâû àíãëèéñêîé áóðæóàçíîé âåðõóøêè ("Çàãàäêà").

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Fowles J., The Ebony Tower — 1981

The five masterful works of short fiction in The Ebony Tower bring us once again into the company of a great contemporary novelist working his intriguing and dazzling themes, probing the fitful relationships of fantasy and reality, love and hate, pleasure and pain. And they are an enduring testament to John Fowles's reputation as one of the finest storytellers of our time.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Fowles J., The French lieutenant's woman — 2010 (Vintage future classics)

Assuming and mocks, to the last detail of dress, idiom and manners, this book is a recreation of Victorian England. Not only is it the epic love story of two people of insight and imagination seeking escape from the cant and tyranny of their age

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Fowles J., The Collector — 1986

Fowles continued to earn a living through a variety of teaching assignments until the success of his first published work, The Collector, allowed him to retire with his wife and her daughter to Lyme Regis in Dorset. He continued to live in this quiet sea-coast town - intentionally isolated from English literary circles - where he wrote, gardened, and pursued his interests in natural and local history.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ôàóëç Ä., Àðèñòîñ. [ôèëîñîôñêèå çàìåòêè] — 2008 (Èñêóññòâî âå÷íî, æèçíü êîðîòêà)

Ìóäðûå ìûñëè îáû÷íî ïðèíàäëåæàò äðåâíèì è âåëèêèì ëþäÿì ïðîøëîãî. Òåì, ÷üè ìîíóìåíòàëüíûå îáðàçû âñìàòðèâàþòñÿ â ñåãîäíÿøíèé ìèð èç ãëóáèíû âåêîâ, ïîçâîëÿÿ íàì ïî÷òèòåëüíî ïðèêîñíóòüñÿ ê êîãäà-òî íà÷åðòàííûì èìè âèòèåâàòûì ïèñüìåíàì. Äæîí Ôàóëç, çàäóìûâàÿ ñâîåãî «Àðèñòîñà», âäîõíîâèëñÿ ôèëîñîôñêèìè âçãëÿäàìè Ãåðàêëèòà (V â. äî í. ý.), ÷òî íå ïîìåøàëî åìó ñîçäàòü ïðîèçâåäåíèå ñîâåðøåííî óíèêàëüíîå. Ýòî êíèãà ñîâðåìåííîãî ìóäðåöà, íàïîëíåííàÿ ãëóáîêèìè è êðàòêèìè ìûñëÿìè áóêâàëüíî îáî âñåì íà ñâåòå: îá îäèíî÷åñòâå è âåðå â Áîãà, î òàéíûõ ðàçî÷àðîâàíèÿõ è îá îäåðæèìîñòè ôèíàíñîâûì óñïåõîì, î ñåêñå, ïîëèòèêå, î ñêðûòîé îò ãëàç êðàñîòå ìèðà. «Àðèñòîñ» âïîëíå çàñëóæèâàåò îïðåäåëåíèÿ «ñîâðåìåííîãî Åêêëåçèàñòà», ñ íåïðåìåííûì àêöåíòîì íà ñëîâå «ñîâðåìåííîãî». Äæîí Ôàóëç íå ïðîðîê è íå ïðîïîâåäíèê.  ñâîåé êíèãå îí ïðîñòî îáðàòèëñÿ ê ëó÷øåìó èç òîãî, ÷åì ìîãëà îäàðèòü íàñ ïðèðîäà, — ê çäðàâîìó ñìûñëó.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Fowles J., The Collector — 2004 (Vintage classics)

Withdrawn, uneducated and unloved, Frederick collects butterflies and takes photographs. A chance pools win enables his to capture the art student Miranda and keep her in the cellar of the Sussex house he has bought with the windfall. The situation is seen first from the collector's point of view: he thinks the chloroform pad no more vicious than his butterfly net, and patiently waits for the barriers of class and taste that inhibit their love to break down in the limbo of their isolation. She, the creator, desperate for her freedom, tries to be understanding but cannot banish her contempt for everything anti-life that the collector stands for.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ